Le Monde : Peintre Obou, l'artiste aux mille masques

Those in the know had already noticed in recent months the huge frescoes at the entrance to  Abobo, but also the few brushstrokes, more discreet, on the decrepit walls of the Anono district, inside an abandoned colonial building in the town of Grand-Bassam or at the café of the French Institute, in the heart of Abidjan, the economic capital of Côte d'Ivoire.  (...)